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  • 11th Grade ELA
    • Readings
    • Assignments
    • Resources
    • Unit 1: Myths, Narratives, Counternarratives
      • Week 1: Introduction to Myth, Narratives, and Counternarratives
      • Week 2: Myths of Superiority: Unpacking Racist Narratives
      • Week 3: From Declaration to Dream:Analyzing the Roots of the American Dream
      • Week 4: Singing about the Dream: Whitman, Hughes, and Modern Music
    • Unit 2: Systemic Racism and the American Dream
      • Week 1: Mapping Inequality: The Legacy of Redlining and Segregation
        • BPDA Neighborhood Data
      • Week 2: Opening the Door to the Younger Family
      • Week 3: Unexpected Guests Knocking on the Younger's Door
      • Week 4: Passing the Torch: Mama’s Trust, Walter’s Trial
      • Week 5: Hansberry's Intentions: What Happens to a Dream Deferred?
    • Unit 3: The Land of Opportunity: Narratology and the Immigrant Experience
      • Week 1: Between Worlds: Narratology, Immigrant Voices and Magical Tales
      • Week 2: Lost and Found: Discovering the Self through Perspective
      • Week 3: What's Left Unsaid: The Power of Language
      • Week 4: Becoming an Author with Purpose
    • Unit 4: Nothing is Certain: Death, Taxes, and Dreams
      • Week 1: Dreams for Sale
      • Week 2: Attention must be paid
      • Weeks 3-4: Take that phony dream and burn it
  • 12th Grade ELA
    • Readings
    • Assignments
    • Resources
    • Unit 1: Out of the Cave: Intro to Philosophy and Persuasion
      • Week 1: Intro to Philosophy, Plato, Ignorance and Knowledge
      • Week 2: Introduction to Aristotle's Rhetoric and Rhetorical Appeals
        • Examples of Ethos
        • Examples of Logos
        • Examples of Pathos
      • Week 3: Practicing identifying rhetorical appeals
      • Week 4: Writing Your Way In: Cover Letters and College Essays
      • Week 5: Baldwin’s Blueprint: Dissecting Rhetorical Mastery
    • Unit 2: The Root of All Evil: Understanding Money, Capitalism, and Consumer
      • Week 1: Work, Worth, and Alienation
      • Week 2: Into the Absurd: Exploring Kafka and the Kafkaesque
      • Week 3: From Provider to Pest: The Decline of Gregor Samsa
      • Week 4: A Full House: The Lodgers, the Family, and the Vermin
      • Week 5: Kafka's Cockroach and Criticism
    • Unit 3: Picture This: Personal Narratives in Graphic Novels
      • Week 1: Graphic Narratives, Global Perspectives: Entering Marjane Satrapi’s
      • Week 2: War and Rebellion in Black and White
      • Week 3: The Final Panels: Looking Back, Looking Forward
      • Week 4: Plotting Out Our Story
    • Unit 4: Challenging the Status Quo
      • Week 1: Witch Hunts
      • Week 2: Needles and Lies
      • Week 3: Choosing Your Crucible
  • AP Language and Composition
    • Readings
    • Assignments
    • Resources
    • Unit 1: The Art of Persuasion: Rhetoric, Power, and Manipulation
      • Week 1: Intro to Philosophy, Plato, Ignorance and Knowledge
      • Week 2: Introduction to Aristotle's Rhetoric and Rhetorical Appeals
      • Week 3: Practicing identifying rhetorical appeals
      • Week 4: Writing Your Way In: Cover Letters and College Essays
      • Week 5: Baldwin’s Blueprint: Dissecting Rhetorical Mastery
    • Unit 2: Argumentation, Synthesis, and Philosophy
      • Week 1: Taking a Stance: The Argumentation Essay
      • Week 2: Putting it all Together: The Synthesis Essay
      • Week 3: Seeing Through the Words: The Rhetorical Analysis Essay
      • Week 4: The Art of Choice: From Exam Bubbles to Life-Altering Tracks
      • Week 5: Seeing the Water, Considering the Lobster: Awareness and Choice
    • Unit 3: Refinement and Polish
      • Week 1: Camus' Meaning of Meaninglessness and Humor in Rhetoric
      • Week 2: Ironing out the Kinks
      • Week 3: Addressing America's Mythology
      • Week 4: Performative Morals and Witch Hunts
    • Unit 4: Practice and Preparation
      • Week 1: Performative Morals and Witch Hunts
      • Week 2: The Burden of Proof
      • Week 3: Needles and Lies
      • Week 4: Final Project and Preparing for the Exam
English Class

Week 3: The Final Panels: Looking Back, Looking Forward

Week Breakdown

  • Monday the 17th

    • Complete Notebook Entry #7, section three of Persepolis, by choosing one of the prompts offered and answering in a body paragraph.

    • Write down Lexicon #26: Bureaucracy in your notebook.

    • Read, annotate, and discuss chapter 16: "The Passport" and chapter 17: "Kim Wilde." 

    • Answer the two chapter questions in your notebook. 

  • Tuesday the 18th

    • Write down Lexicon #27: Motif in your notebook. 

    • Read, annotate, and discuss chapter 18: "The Shabbat" and chapter 19: "The Dowry," finishing Persepolis.

    • Review the prompts for Notebook Entry #8, choosing the one you find most compelling for tomorrow's writing session. 

  • Wednesday the 19th

    • Complete the Notebook Entry #8, the last section of Persepolis. 

    • Introduce Unit 3 final assignment, expectations, requirements and timeline. 

    • Complete the two creative writing activities: Exploring the Purpose of Perspective and Metaphor creation. 

  • Thursday the 20th

    • Complete both creative writing activities: "Exploring the Purpose of Perspective" and "Crafting Meaning out of Metaphors." Note, if you are absent, I'll supply some pre-rolled metaphors for you to unpack. 

    • Look at potential moments or topics for your Unit 3 final assignment. 

Monday the 17th

Lexicon #26: Bureaucracy, bureaucratic

Definition: A system of government in which decisions are made through a structured hierarchy of officials following fixed rules and procedures. It often involves complex procedures, paperwork, and rigid processes, which can sometimes lead to inefficiency and frustration. 

Persepolis by Marjane Satrapi (full text)

Persepolis by Marjane Satrapi PDF.pdf

Today's Reading: Chapters by page number

Chapter 16: "The Passport" (118-125)

Chapter 17: "Kim Wilde" (126-134)

Chapter Questions

"The Passport" Question: In what ways does the bureaucracy of the Iranian government serve as an antagonist in this chapter? 

"Kim Wilde" Question: How does Satrapi emphasize rebellion and the dangers of nonconformity in this chapter? 

Tuesday the 18th - Wednesday the 19th

Lexicon #27: Motif

Definition: A recurring image, symbol, word, phrase, idea, or action that appears throughout a literary or artistic work and reinforces a central theme or message. Unlike a symbol, which often represents a single idea, a motif develops meaning through repetition and variation. 

Persepolis by Marjane Satrapi (full text)

Persepolis by Marjane Satrapi PDF.pdf

Today's Reading: Chapters by page number

Chapter 18: "The Shabbat" (135-142)

Chapter 19: "The Dowry" (143-153) 

Today's Writing: Notebook Entry #8, section 4 of Persepolis

Notebook Entry Prompts for Section 4 of Persepolis (118-153).docx

Sentence Starters for each prompt with potential pages for evidence

Prompt #1: Marji's adolescent experiences resemble/do not resemble a typical American's because...

Pages that may be useful: 126-134

Prompt #2: Satrapi creates a visual parallel of eyes between the chapter "The Veil" and "Kim Wilde" in order to...

Pages that may be useful: 3,126

Prompt #3: The literary critics interpretation of Marji's interest in Western clothes and entertainment is reasonable/over-generalizes... 

Pages that may be useful: 126-142

Prompt #4: Satrapi adds shading and details in this panel in order to...

Pages that may be useful: 102, 142

Prompt #5: Satrapi's choice to not illustrate Neda's dismembered body is...

Pages that may be useful: 52, 152

Prompt #6: Marji's connection to the bracelet is grounded in what happened previously in... 

Pages that may be useful: 142-143

Prompt #7: Satrapi utilizes the mirror motif in order to...

Pages that may be useful: 16, 46, 68, 151

Preview: Unit 3 Final Assignment (20% of Quarter grade)

12 Miniature Graphic Memoir Performance.docx

Thursday the 20th

Exploring the Purpose of Perspective

Introduction: Love has a way of shaping the world around us—turning the ordinary into something magical or magnifying the cracks we once ignored. In this exercise, you’ll step into the same setting twice, but through two very different emotional lenses. We’ll explore how their varying feelings paint their view of the setting and can tell us much about their character’s thoughts and feelings without actually stating them directly. 


Requirement: Roughly 8 sentences per perspective. It must be in third-person narration, meaning there should be no “I,” “me,” or “my,” but instead, “he,” “she,” or “they.”

Part 1: Love in the Air (8 minutes)


Prompt
Write a description of a restaurant as seen through the eyes of someone who is deeply in love and planning to propose. Focus solely on description—avoid explicitly stating the character’s thoughts or intentions. Use sensory details, imagery, and tone to reflect the character’s emotional state.


Things to Consider

  • How does light, sound, or even the atmosphere feel to this person?

  • What small details stand out? (e.g., the twinkling of candles, the elegance of the silverware, the warmth of the air)

  • How might their emotions color the scene?

Part 2: A Love Lost (8 minutes)


Prompt
Now, rewrite the scene from the perspective of a person arriving at the restaurant with the intention of breaking up. Again, focus purely on description, avoiding outright explanation of the emotions, but letting them bleed through in the way details are noticed and described.


Things to Consider

  • What once might have felt warm now might seem suffocating or cold.

  • How do small irritations (a wobbly table, a noisy crowd, a flickering light) reflect their mood?

  • How does the contrast in tone and focus subtly inform the reader of what’s happening emotionally?

Crafting Meaning of Metaphors

How it works!

Example from the creator

If you were absent, here are some pre-rolled dice for you to do at home or for make-up!

Friday the 20th

Unit 3 Final Assignment (20% of Quarter grade)

12 Miniature Graphic Memoir Performance.docx

Page templates (I can print any of these out for you)

Template 8 (Splash).docx
Template 7 (Blockage).docx
Template 5 (Blockage).pdf
Template 4 (Blockage).pdf
Template 2 (Blockage).pdf
Template 6 (Grid).pdf
Template 1 (Blockage).pdf
Template 3 (Blockage).pdf
Template 9 (Blockage with captions).pdf
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